In opera, I have had the honor of performing roles that have deeply impacted me, such as Tosca (Puccini), Santuzza (Mascagni), Donna Anna (Mozart), Elisabetta (Verdi), Elena Popova (The Bear – Walton), and Suor Angelica (Puccini). In the world of zarzuela, I have enjoyed bringing to life characters such as Adriana (Los Gavilanes), Luisa Fernanda (Luisa Fernanda), Dolores (La Dolorosa), and Reina (La Corte de Faraón).
In symphonic repertoire, I feel especially connected to works such as Verdi’s Requiem, Wagner’s Wesendonck Lieder, Beethoven’s Ninth Symphony, Mozart’s Requiem, Dvořák’s Stabat Mater, Brahms’ German Requiem, Schubert’s Mass in G Major, and Vivaldi’s Gloria, collaborating with exceptional orchestras and conductors.
In 2015, I founded the ensemble Plaerdemavida, a special project that allows me to merge music, theater, and poetry into multidisciplinary artistic proposals. With Plaerdemavida, I have recorded five albums that have received critical acclaim. I have also premiered contemporary works such as Door by T. Johnson, conducted by Jordi Bernàcer, and the production Ego, both presented at the International Contemporary Music Festival ENSEMS.
I consider myself a multifaceted woman: beyond my role as a singer, I am a producer (The Bear, Walton), writer, therapist, and artistic director of the Musiquart and Tabarfest music festivals. My project Nàiada is an extension of my passion for artistic and personal connection. Through this program, I accompany individual processes, organize courses and retreats, and develop interactive musical experiences that invite audiences to explore their creativity and connect with their most authentic essence.
For me, music and artistic expression are much more than a means of communication; they are a bridge to connection with oneself and with others.
